"I felt like the portrait of God in this novel was beautiful and reflective of what we find revealed in the New Testament. And the theological and psychological insights of this book were at times profound and consistently communicated in brilliantly simple ways.I'm surprised Greg liked the book this much, to be honest. It is nothing less than a systematic theology in fictional form (it touches on everything from the Trinity to the problem of evil). Conservative evangelicals have been upset by its representation of God the Father as a woman (for most of the novel), and by its rejection of hierarchy in the Trinity. Personally, I find these unobjectionable.
[...]
The only substantial disagreement I have with the theology of this novel concerns Young's view of time and the nature of the future. While his book breaks from the classical tradition on many points, on these two issues Young is a traditionalist. At several points God brings up his foreknowledge of all that will (not might) take place and Young seems to (mistakenly) think that this helps God achieve his sovereign purposes without violating free will (as though God were not infinitely intelligent and thus able to anticipates 'maybes' with the same effectiveness as 'certainties'). But given that the open view of the future is a minority view in Christian circles, it's hardly surprising Young espouses this view. And given the over-all theological, psychological and spiritual insight of this masterful novel, this one piece of theological disagreement is hardly worth registering."
What is deeply objectionable about this novel however, is its ecclesiological void. A hole, nay, a gaping chasm lies in the author's understanding of Jesus' ministry, insofar as the Church, as such, play no role whatsoever in his picture of Christianity. But Jesus was fundamentally a reform prophet in Israel to save the people of God. The utter absence of any communal considerations from Young's novel is deeply problematic. As if one could talk about Jesus' ministry without ever mentioning baptism or communion!
And so the picture that emerges from the novel is one of a nice, egalitarian God, who wants human beings to get along. This is all well and good, but it is not Christian. If non-Christians were to adopt such a picture of God, that would be great. But Christians can't afford to stop there. My understanding is that the author is not involved in any kind of Church life. This is very saddening.
My verdict? The Shack exploits Christianity for a (relatively accurate) picture of God, but leaves out the key biblical piece about God's plan for Israel and the Church. What's left is something we've seen far too often: an individualistic pseudo-Christianity.
By all means, read the novel, it's pretty good. But keep your thinking-caps on.
Peace.